29 mar 2020

Meanwhile, On The Table Top....

These days my body demands a break from the painting desk more often than it once did. There was work to be done but....





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The heroes of the day: two companies of the Victoria Rifles which were posted in a wood were attacked by three Rebel companies and saw them off by the skin of their teeth. 

So, just a quick, simple, encounter over randomly generated terrain. Looked like a walk over until near the end  when the Rebel General woke up and it became close.

Back to painting on Saturday.

28 mar 2020

Here's To Lookin' At You, Bugs!


Image used for criticism under "Fair Use." All rights belong to Warner Brothers.


"What's up, Doc?"

Bugs Bunny was one of the great idols of my childhood. Looney Tunes used to regularly come on Cartoon Network, and Bugs was the one I always wanted most to see. In fact, Cartoon Network used to dedicate the entire month of June to playing Bugs Bunny cartoons nonstop. Such a bold move could hardly be imagined today. Even more inconceivable were his appearances at that time beside Michael Jordan in Space Jam, and Mickey Mouse in Who Framed Roger Rabbit. The latter more productive than the former.



I speak of Bugs since he just turned seventy-five this year. In the few moments I've spent with him, eyes glued to the TV set, so many are fond. Who wouldn't adore his arguments with Daffy over whether it was "Rabbit Season" or "Duck Season"? We all know the routine. Bugs would concede that it's "Rabbit Season", but Daffy, not one to agree with Bugs, thoughtlessly insists that its "Duck Season", only to get his bill shot off by Elmer. Though Bugs hardly ever got on Elmer's good side, either. As much as he tried to be very, very quiet in his hunting for rabbits, Bugs usually got the upper-hand. Sometimes he did it by cross-dressing as a woman, most famously in What's Opera, Doc? Now remembered as one of Bugs and Elmer's finest, What's Opera, Doc? is a fanciful adaptation of Wagner's Der Ring des Nibelungen, with the "Tannhauser Chorus" and "Ride of the Valkyries" included. The short was produced in the 1950's, when the Chuck Jones cartoons acquired a more modernist art style. We see this on point when Elmer's fury to command the weather gets the background into more clashing hues and greys. What stands out about this particular episode is that Elmer actually succeeds in killing Bugs, to which he weeps. I was shocked upon first seeing this. Tom never caught Jerry. Sylvester never caught Tweety. Wile E. Coyote never caught Road Runner. Yet here we were. Though Bugs slipped in a final comment to berate my surprise, "What did you expect from an opera, a happy ending?"

Even when Bugs was shamelessly ripping off Tom and Jerry's Cat Concerto in Rhapsody Rabbit, he managed to get a good laugh or two in. I mean hell, he literally pulls out a gun to shoot a coughing audience member. I suppose a bullet does better to silence than cough drops.

Bugs had wit. I'd argue that's part of his draw. With so many one-liners, Bugs comes across as an animated Groucho Marx. (Bugs has even put on a Groucho disguise). The rabbit always used his brains to get the upper-hand over his opponents, and being a cartoon, he resolves matters in ways that may surprise the viewer. Compare this to Popeye the Sailor, whom while being entertaining in his own right, always ended his conflicts in the same way: with spinach and muscle. Though the type of character Bugs is comes from the Trickster archetype. NPR compared him favorably to Puck, Anansi, and the Monkey King. Further, the radio station quoted Robert Thompson, who directs a pop-culture studies program at Syracuse University. Thompson remarked of Bugs that, "He defies authority. He goes against the rules. But he does it in a way that's often lovable, and that often results in good things for the culture at large," (Sutherland). Chuck Jones, always made sure that Bugs only acted when provoked. His trickery was a matter of defending his dignity.

And to my recollection, he always won.


Image used for criticism under "Fair Use." All rights belong to Warner Bros.


Bibliography

Sutherland, J.J. "Bugs Bunny: The Trickster, American Style." NPR, January 6, 2008. Web. http://www.npr.org/templates/story/story.php?storyId=17874931

TOP 10 MOVIES OF 2019


The new year is here, and so Top 10 season is upon us. The tradition is to rank media in a seemingly arbitrary fashion so here's my oh-so personal list of moves faves that came out 2019. What will be number 1? Read on to find out...

Read more »

24 mar 2020

We Need More Information


The story behind CIA: Collect it All is a fascinating one. Last year several games designed by the CIA for use as training simulations were declassified by the U. S. government. Since they were designed by a government employee in the course of his work they are automatically in the public domain in the U. S., so an enterprising game publisher got to work designing a commercial version which was funded using Kickstarter and delivered to backers in December of 2018.

The game uses cards to represent intelligence collection techniques such as media analysis, satellite imaging, and data hacking. Players use those cards to solve global crises like foreign missile testing or election interference, by matching the correct types of intelligence to the crises they will be effective against. Opponents can interfere by playing "reality check" cards which represent the idea that nothing ever goes as planned.

As a training tool, an important part of the game was the inclusion of "manager challenge" cards, which forced the CIA trainees to justify the plays they made, explaining how, for example, "document and media exploitation" would be effective against "European crime and corruption" in the real world. These are included in the game as an optional variant, but the rules suggest only using them if all the players have a "firm understanding of intelligence techniques."

In theory the idea of this game is very compelling, but without the manager challenge cards, it's really just a symbol matching game, with each player trying to match the symbols on their collection cards to the ones on the crisis cards. It might have worked a lot better if there were more background information on the cards, to give players more information they could use to at least bluff their way through a manager challenge. I think the designers really missed an opportunity to create a game that would be informational and intellectually stimulating as well as entertaining.

Rating: 2 (out of 5) not a terrible game but a huge missed opportunity.

21 mar 2020

Planet's Edge: One Line In Three Dimensions

One of several stitched-together mini-quests that I encountered this session.
         
Planet's Edge is not shaping up to be what I thought it was going to be, which was a New World take on Starflight. I think that the developers perhaps started with an intention to imitate Starflight; certain similarities between the games are too stark to be coincidences. But they removed one of Starflight's most attractive traits--the joy of exploration in an open universe--and replaced it with something that I'm not convinced is better. Specifically, there's a lot more emphasis on axonometric exploration of the planets' surfaces, which could have been done well, but so far is a bit silly and trite.

When we left off, I was headed for Sector Algieba, as I had a couple of hints that it would be the best place to start. The sector consists of seven star systems--Subra, Talitha, Regulus, Algieba, Alphard, Koo-She, and Miaplacidus--any of which would also serve as the next Nissan model. Talitha was the closest to where I was coming in, so I explored it first. The system had six planets. As with all the systems with multiple planets, it's hard to keep track of which ones you've already visited since they don't stop whipping around their suns, fast enough that a year might pass while you take a sip from a soda bottle.
            
The stars of Sector Algieba.
          
In Starflight and Star Control, there was a certain joy to exploring even random planets because you might find useful and valuable elements. That's sort-of true in Planet's Edge except that it's very rare to find a planet that has them, you can mine them near-instantly when you do, and at the beginning of the game you can only carry 5 units of any cargo at a time. If you get rid of all your weapons, you can carry 8. So clearly element recovery isn't going to be a big thing until I can build a ship with more room. I'm not 100% sure if I could do that now or if I need to find some plans.

Each planet has a nice textual description (when you "scan") regardless of whether it has any utility. I was enjoying these a lot for a while, but then they started repeating. Ultimately, it turns out there are only about 9 common descriptions:
          
  • A molten, superheated surface giving off toxic fumes.
  • Lots of organic life but no intelligent life, "a nice place to have a picnic."
  • A small rock with a thick layer of gases.
  • Incredibly hot, unstable, with constant volcanic activity. 
  • A "jelly world" with large crystal formations. 
  • A surface only recently cooling down from volcanic activity, no vegetation or atmosphere.
             
One of the "generic" planet descriptions.
           
  • A desert planet.
  • A planet of grasses and plains with no intelligent life.
  • A snow and ice planet.
              
All but one of Talitha's planets were one of these. On Talitha II, however, my scan revealed a castle, "the seat of Avian government." Oddly, the scan screen was titled "If Love Be True," which made no sense at the time but later turned out to be related to the mini-quest that I found on the planet. Thus, it seems that if you scan a planet that has such a quest, you know it immediately because you get a title.
           
I'm not sure that the game needed to be so explicit about each quest.
         
We found ourselves in an Earthlike castle with guards stationed at just about every intersection. The game repeatedly referred to them as "avian," so I guess they were bird-like. We never got a close-up portrait. Most ignored us, but a guard at a section of the castle that was clearly an arena told us that the queen had canceled all spectator sports for a few weeks. We would later meet the queen, and her two princess daughters, but let's pause for a moment to note that these aliens are the first non-human sentient life forms that my characters--perhaps humanity as a whole--have ever encountered in-person. They apparently look like birds and live in castles and have the same type of social structure as a past Earth society. And we're able to speak their language I guess because of information from the crashed Centauri Device? In any event, my characters managed to jump right in to palace intrigue while in real life they probably would have still be staring open-mouthed at the alien guards. For their part, the aliens didn't react to us at all despite presumably never having seen humans before.
               
Exploring the castle.
       
From dialogue with NPCs, it transpired that Princes Jhenna was being forced to marry a reptilian alien from another sector. She naturally didn't want to do this and was hoping to escape Talitha II to find her true love, a former palace servant who came from the planet Henresia, also known as Subra II. Meanwhile, some faction was planning a coup and had placed a bomb in a fountain near the wedding site, intending to kill both the queen and the princess.
   
We agreed to help the princess. I don't think this was a role-playing choice so much as something that you have to do to as part of the main plot. She said that she could escape through a hidden door if we could move a heavy piece of furniture. This required us to find a "levitator," which was on the other side of a navigation puzzle so annoying that whoever designed it should be hunted down 30 years later and forced to make it through a real-life version.
            
The princess's sister, who I guess is also a princess, explains the situation.
          
The puzzle required the party to wend our way through a roughly 6 x 10 matrix of bushes, only some of which could be walked upon, and some of them had mines planted within them that would damage the party members for about half their health if they were within the one-square explosion radius. Unless I missed something, there was no way to tell which bushes had bombs without setting them off.

You can S)earch for them, which is the subject of its own annoyance. The reference card that comes with the game doesn't mention "search" as a function when exploring on land; it only mentions "look." (It does mention "search" later in a master list of commands, but not in the list specifically within the ground movement section.) For most of this session, I didn't even realize that "search" existed, which means that I missed a lot of loot in various chests and barrels in the palace and probably on the Centauri outpost, too. But even when I reloaded and checked, "search" just caused the bombs to go off.

Thus, through trial and error, I had to make a map of the safe route through the bushes (this reminded me unfavorably of a level in Wizardry IV), only to discover that it still wasn't safe. You only really control the movement of your lead character. The others do their best to follow, but they often go blundering off in their own directions, get trapped behind closed doors, get lost in mazes, and so forth. Even when I had the right path mapped, I couldn't necessarily stop my trailing characters from wandering off it. I eventually just had to accept the damage and move on.
            
My moron party members set off a bomb despite my best efforts.
         
In due course, we found the levitation device, used it on the bureau, and hustled the princess through the secret door. The passage led to a courtyard where one of her friends waited with a spaceship. As she rushed aboard, she tossed something at us and told us to take it to "He Who Speaks" on Henresia, presumably her lover. The item was a "trinket."
           
Man, this would have come in handy in the Bolingbroke household over the last month.
         
I tried to explore more, but the palace guards all turned hostile at this point, and without any experience gain or any place to sell looted equipment, you're basically fighting for no reason. We ultimately beamed back to the Ulysses and moved on.
           
The crew has a Star Trek-like transporter chamber for beaming up and down.
        
The closest next star was Subra, presumably home of the Subra II that we had to visit to find "He Who Speaks." We warped to the system and scouted a few planets before we were contacted by a ship. It had the same thuggish-looking alien who'd defeated us in combat before, demanding 3 "units of cargo." I hadn't saved in a while and wasn't confident in my ability to win in combat anyway, so I offloaded 3 units of heavy metals we'd brought from Earth.
              
Transferring cargo.
       
The transfer screen above comes up at the warehouse on Earth, while you're in orbit around planets, and when you're trading with aliens. You hit + or - to add or subtract cargo from your ship. It's not quite as fun as taking a lander down to the surface and looking for signs of ore deposits.
             
The next quest begins.
          
On Subra II, we hit the next quest, titled "Gift of the Magin." The planet was far more imaginative and alien than Tanitha, covered with swamps, ferns, mushrooms, tall trees with sprawling root systems, and biting insects. We were attacked several times by some kind of bear-looking beast which left meat behind when we killed it.
           
Firing at, and killing, a beast.
        
The intelligent species was a fungus-based biped with no eyes or mouth. To communicate with them, we had to first find a writing tool called an "imastyl" which the aliens could use to write messages in the muck. One of them wanted the meat we'd collected from a beast to allow us to cross a bridge.
            
The party approaches the Magin on the weird planet of Subra II.
          
Living in the hollow of a dead tree, we found a woman named "She Whose Steps Are Wise," otherwise called "The Magin." She asked us to kill a mutant named "He Who Speaks" who lives on the other side of the river and apparently sets traps for his fellow Subraites. We fell victim to more than one of them.

We found "He Who Speaks" in a cave. He was so-named because of a genetic mutation that allows him to talk with a mouth, and he claimed that the deformity left him persecuted by his people. We declined to kill him (again, I don't know if we had any other real option). He thanked us and asked us to go rescue Princess Jhenna. When we gave him the trinket instead, he thanked us and suggested that if we took the Magin the Talking Stick that he previously stole, she'd prize it more than his death. Jhenna hadn't arrived yet, but he seemed confident she'd be along. I'm not sure how an anthropomorphic bird mates with a talking mushroom, but I guess that's for them to figure out.
              
I guess maybe this is a real choice, and I could have killed him to solve the quest.
        
We found the Talking Stick in a cavern nearby. There was some creature called the Bladderclaw--an underground beast whose bladed tentacles came bursting out of holes and attacked us. We tried to fight it for a while, died, reloaded, then remembered we had no reason to keep fighting once we had the stick. (Perhaps there was a cache of better weapons and armor past him or something.) We left Bladderclaw in the cavern and returned the Talking Stick to the Magin. She said that since she had it back, she would be "too busy to deal with the Algiebian issue" and thus appointed us as her envoys to . . . something.

The crew wastes time trying to fight a monster.
             
The next star was Koo-She. It had only one planet, Koo-She Prime, where a scan promised a quest called "Solitaire." We beamed down into some structure beneath the surface of the planet. That's as far as we got. We were blocked at the first door with a message that "only envoys of the President are allowed in the facility." I guess the Magin isn't the president because that didn't do us any good.
           
I swear to you, Sy Sterling sent us!
           
The Miaplacidus system also only had one planet, and it was guarded by two ships and an orbital platform. When we communicated with them, they turned out to be staffed by the same species of goon who had previously extorted us for cargo. Here, he just demanded that we leave on pain of death. I decided I was sick of being pushed around and chose to attack.

Space combat in the game is disappointing. Basically, you just maneuver around the enemy, point your nose at him, and shoot. You can even turn on automatic firing if you want the game to shoot for you, which makes it almost just like Starflight. I assume that once I have a ship with cannons and missiles on the wings and such, I'll have more things to shoot, but nothing really will change. Numbers show the status of your shields and your opponents. I honestly found it easiest to stay in one place and just rotate to face the foes. In the first combat, I destroyed both alien ships but then got killed by the orbital platform. I figured that was close enough to try again, and I achieved victory on my second attempt. My ship was repaired automatically afterwards, requiring no inventory of elements to do so.
           
Destroying the alien ship. I have no idea why the GIF is so slow in the beginning. I have issues with GIFs.
            
Miaplacidus Prime turned out to be uninhabited, but the planet had 27 units of "alien metals" to mine. Of course, after jettisoning the heavy metals we'd brought from Earth, we could still only take 5.

The Alphard system had mostly generic planets. One of them, Alphard Six, had 107 units of inert gases available.
           
Those gases do not look inert.
             
That left the Algiebian system. It had several generic planets and something called Ishtro Station. As we approached we were contacted by an alien who said that the world is "under the Great Protection Treaty signed by affiliates of the Galactic Enclave," and that I would have to pay a fee of 6 cargo units before being allowed to contact the world. I tried giving him just 5, but he wouldn't take it.
          
What would you say he look like? A horse?
           
Random notes:
             
  • One denizen of Talitha II did recognize us as "humans" and said that he hadn't seen any of us "since the Concierge locked up the Izor system." This suggests that humans live in the Izor system and perhaps that its ruler even is one.
  • There is no consideration of fuel in this game, nor does there seem to be any kind of timer.
  • The inability to move diagonally is really annoying.
  • I didn't talk much about ground combat, but it has so few options that the game might as well have offered autocombat. 
  • I got stuck in He Who Speaks's cave for a while because although there was an obvious ladder, apparently the command needed to climb it was "search." The game has a lot of weird interface quirks like that.
            
Since my ship is only capable of carrying 5 units of cargo, I leave you heading back to Earth to either build a new space ship or remove my only weapon from my current one to make more space.

My suspicion is that I'll find some quest that leads me to the first artifact and that the other seven systems will have other batches of extremely linear, named, interrelated quests. But with no open exploration and no good RPG mechanics (there's no character development and combat tactics are minimal), everything is going to hinge on the quality of the stories that make up those quests, and I find their quality mixed so far.

Time so far: 8 hours




20 mar 2020

A Trainer's Resolve

The sky began to darken as I made my way back into Viridian City after defeating Wolf on Route 22. There was still time to push on through Viridian Forest to Pewter City, but it looked like the weather was going to take a turn for the worse. I had my eyes on the sky as I made my way toward the Pokémon Center to get treatment for Kiwi, so I didn't notice that I'd picked up a new follower. He had been watching me since I came back into town, but I barely noticed him. It wasn't until I came out of the Pokémon Center and saw him leaning casually against a light post that I really noticed him. His hair was messy, and his arms were crossed against his chest. He was younger than me, but he didn't carry himself that way. When he saw that I finally noticed him, he pushed off the light post and walked up to me confidently.
"I saw you fight," he announced.
"Yeah? Are you a trainer?" I asked.
"Yeah. Are you?" he asked. His words had a bit of venom in them.
"What is that supposed to mean?" I asked.
"You aren't serious at all, man. I can tell. You wouldn't stand a chance against a real trainer like me." He was cocky, not unlike Wolf.
"Is that a challenge?" I asked.
He laughed at me. "Oh, no. I'm being sincere. You need to get serious before you can take on someone like me." I rolled my eyes and began walking away from him. I had swallowed enough attitude already that day. He quickly followed after me. "Hey, I'm not trying to offend you," he assured me, though his tone wasn't as convincing. "I just can't stand to see casual jokers like you walking around calling themselves Pokémon trainers. Sure, there are bug catching kids who are out having some fun, but then there's real training. Your friend back there on Route 22 said he was going to challenge the Indigo League. What about you? What are you doing?"
"I've been training," I said. "Real training. What do you know about it?"
"Are you going to take the Gym Leader Challenge? Are you going to face the League? What? I'm serious. Why are you here?" He was persistent.
"I am going to start a Pokémon Sanctuary," I reluctantly said, hoping it would be enough for him to leave me alone.
"Oh, like a Pokémon Safari?" he asked. He seemed genuinely interested which was a departure from my encounter with Wolf.
"Similar, I guess. I want to create a natural habitat for as many Pokémon I can and provide a safe place for them to live and interact with humans in a natural environment. You wouldn't catch them. You'd go there to understand them better. Maybe to study them in a safe environment, or just to understand yourself and your relationship with Pokémon better. You know?"
"My grandfather would love a place like that," he said with a snicker. "So you're what? Playing at training?"
"No. Not at all. It's important to me to understand Pokémon, so it's important for me to be a trainer. I'm traveling Kanto to catch, record and study as much as I am here to train and battle. Why do you care?" I suddenly stopped to ask him.
"I told you. I can't stand seeing trainers like you. You looked so pathetic out there against that other guy. Yeah, you won, but you looked like a chump. You gotta get serious," he announced. "If you want respect in Kanto, you gotta take your training seriously." He flashed a couple of badges he had pinned to his backpack. "You earn these and people will know you're serious. Maybe some day I'll see you up on the Indigo Plateau." He laughed as if that thought amused him, but I sensed he wasn't mocking me this time. He was genuinely enjoying a thought of us battling it out in the big league matches on the plateau.
"What do you think I should do?" I asked rhetorically.
"You need to figure out what Pokémon training means to you. Stop thinking about your Sanctuary, or whatever, for a minute. Maybe that will happen, or maybe it won't, but right now you need to figure out what kind of trainer you are and what your Pokémon mean to you." He ran his fingers through his messy, brown hair and nodded to the building across from us. "Look at that place. What a disgrace." We'd stopped just near the Viridian Pokémon Gym. "If I ran that place, it would be open all day every day, so trainers could come and train or challenge the gym. That's what it means to me. I'm ready to train, to fight, to win all day and every day. The guy who runs this place is a coward. The League should kick him out and give this gym to someone who actually cares." I could only nod in reluctant agreement. "Look, I just wanted to pull you aside and tell you if youI  are gonna face guys like that or guys like me, you better get serious about it. You're only going to get yourself or your Pokémon hurt if you don't and that really pisses me off."
"I'll think about what you said," I offered. He seemed to take that answer as the best he could get and nodded a gruff approval.
"Good. Maybe someday when you're ready we'll have a real battle. Smell ya later." He laughed at me and walked off.
I rolled my eyes behind his back. What did this kid know about me? Even still, his words stuck with me for a long time.

Rain drizzled down the leaves of Viridian Forest, methodically finding their way down to the ground where I was making my way. The dense forest was dark and gloomy even on the best of days. As a result it was full of bug Pokémon, including the newest addition to my small team. I was lucky to run into a Caterpie with my last remaining Pokéball. I was told by the Pokédex that they were quite rare that time of year. As a result, I named him Lucky. I ran into a handful of bug-catching kids who wanted to battle and throughout these few fights I could only think about what that kid in Viridian City had said to me.
Was I any different from these kids who were mostly playing at Pokémon training? Did I have what it takes to stand face to face against real dangers in the wild? Could I some day challenge the very best trainers in Kanto with confidence? In the wake of my battle with Wolf earlier that morning, and the unsettling conversation with a pushy little trainer outside Viridian Gym, it's fair to say that my trek through Viridian Forest changed me. It was where I decided exactly what kind of Pokémon trainer I was going to be, and how I would achieve my goals as a trainer and future preservationist of Pokémon.
I decided as I made my way onward to Pewter City that if I expected my Pokémon not to fail me, then I could not fail them. I decided that if I were going to build a safe place for Pokémon to live and interact with each other and with humans, I needed to build a safe space for them on my team. I needed to understand their strengths and their weaknesses. Unlike Wolf who was content to just laugh as his Pokémon fainted, laugh as he traded away a tiny fraction of his disposable credits to me, I would not accept fainting as a part of training. I made the decision that my Pokémon would never be pushed to the point of  breaking. If I ever failed them, even once, I would let them go. I would find them a better home, or release them back into their habitats to live out their days naturally. As I passed through Viridian Forest, I emerged from my own cocoon with a newfound purpose and seriousness. I had decided exactly what it meant to me to be a trainer and hopefully someday the owner of the world's first successful Pokémon Sanctuary.

Current Team:

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Initially believed to have been born on Earth, Goku later learns that he is a member of an extraterrestrial warrior race called the Saiyans, which is also the reason for his superhuman strength, and his birth name is Kakarot (カカロット Kakarotto). As Goku grows up, he becomes the Earth's mightiest warrior and protects his adopted home planet from those who seek to harm it. Goku is depicted as carefree and cheerful when at ease, but quickly serious and strategic-minded when in battle and also enthusiastic to fight. He is able to concentrate his Ki and use it for devastatingly powerful energy-based attacks; the most prominent being his signature Kamehameha (かめはめ波), in which Goku launches a blue energy blast from his palms. Also pure of heart, Goku has frequently granted mercy to his enemies, which has often earned him additional allies in the process (though has also resulted in others taking advantage of his kindness), and he is one of the few who can ride the magic cloud called Kinto'un (筋斗雲, lit. "Somersault Cloud", renamed "Flying Nimbus" in Funimation's dub); which was another element adapted from Journey to the West.[2]

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